All New, All Different Marvel! - order form and more

by Ben Fardon

"When Everything Ends, There Is Only Secret Wars..."

These ominous words have dominated the Marvel Universe over the past few months. Thanks to shipping delays Secret Wars is set to rage on into October, but the same week that Secret Wars #8 ships, Marvel also begins it's much hyped All New, All Different relaunch!

Starting with the new Invincible Iron Man #1 by Brian Michael Bendis and David Marquez, Doctor Strange #1 by Jason Aaron and Chris Bachalo, the globetrotting new Amazing Spider-Man #1 by returning Dan Slott and Giuseppe Camuncoli, Avengers #0 (an anthology one-shot featuring All-New, All-Different Avengers, Squadron Supreme, A-Force, New Avengers, Ultimates and Uncanny Avengers) and several more, Marvel have cannily spread their relaunch across two months making it slightly more affordable than the onslaught that was the New 52.

In order to help a little bit more, we're offering the following price promotions to all customers (subject to change and whilst stocks last):

• Avengers #0 - only £3.00
• Doctor Strange #1 - only £2.50
• Invincible Iron Man #1 - only £2.00
• Amazing Spider-Man #1 - only £3.00

Purchase all four of these together and pay only £10!

(saving you an extra 50p on top of these already discounted prices)

Once again we are matching a few titles to previous orders on Reservation Service pull lists. This is primarily where the creative team remains the same (or at least the writer), ensuring that customers who only come in every couple of months will not suddenly find they've missed the next chapter of an ongoing saga like Jason Aaron's run on Thor.

Here's the full list of what we've matched - if you had the former, we've automatically added the latter on to your pull list:

Old Title	New Title (All New, All Different)
All-New Hawkeye	Hawkeye
Amazing Spider-Man (Marvel Now)	Amazing Spider-Man
Ant-Man	Astonishing Ant-Man
Deadpool (Marvel Now)	Deadpool
Guardians Of The Galaxy (Marvel Now)	Guardians Of The Galaxy
Howard The Duck	Howard The Duck
Legendary Star-Lord	Star-Lord
Miles Morales Ultimate Spider-Man	Spider-Man (Miles Morales)
Ms Marvel (Marvel Now)	Ms Marvel
Nova	Nova
Silk	Silk
Spider-Gwen (Gwen Stacy: Spider-Woman)	Spider-Gwen
Spider-Man 2099	Spider-Man 2099
Spider-Woman (Marvel Now)	Spider-Woman
Thor (Avengers Now)	Mighty Thor
Unbeatable Squirrel Girl	Unbeatable Squirrel Girl

If you're unsure, please email me to request a copy of your pull list and I'll send over a pdf copy. You are welcome to instantly remove any title we've automatically added to you up until you've purchased the first issue, then you are bound by our usual terms and conditions regarding notice periods for removing a title from your order.

Please remember that the FCBD All New, All Different Avengers showed that while there will be some significant changes (like the introduction of Miles Morales and Old Man Logan into the main Marvel Universe), the majority of Marvel continuity remains intact. This is not a major reboot akin to DC's New 52. For example, Bendis has stated his run on Iron Man will build on Kieron Gillen, Greg Land and Dale Eaglesham's Secret Origin of Tony Stark from Marvel Now.

You can view the full All New, All Different Marvel range in the free All New, All Different Preview magazine, available free from Proud Lion or digitally here.

If you'd like to order anything from the upcoming Marvel relaunch, please use the following order form:

Create your own user feedback survey

Orders made via this form must be submitted by midday on Friday 11th September. Orders after that can be placed by emailing shop@proudlion.co.uk.

Ben is really looking forward to seeing how this new chapter of the Marvel Universe will unfold!

PREVIEWS MAR-APR15 - Marvel's Secret Wars

by Ben Fardon

I can't lie folks, this has been a tough one to put together. After the chaos of Convergence, I was very excited by the prospect of Secret Wars, until we actually began to see the vast array of new titles and the uncertainty that came with it.

Thankfully in the last few weeks, details have begun to emerge about April's Secret Wars titles and Marvel have gone on record as to which titles are ending as Secret Wars kicks off. This makes things much easier!

I think we can now divide Secret Wars into several distinct sections. Firstly we have the main Secret Wars title and a couple of ancillary anthology titles. Secondly, there are a series of interesting titles revisiting classic Marvel events from the last few decades. Finally we have a long list of new titles that expand the new Secret Wars' Battleworld setting in a variety of ways.

But what is Secret Wars? Well simply put, Secret Wars spins out of the recent Jonathan Hickman Avengers titles as the main Marvel Universe as we know it collides with the Ultimate Marvel Universe in what is being called the final incursion. The good news is you don't need to have been reading Avengers or New Avengers over the last couple of years to get into Secret Wars, as the collision of these two realities has created a brand new world in which most of the characters have no idea that this isn't the way things have always been.

The titular Secret Wars miniseries itself is the main event. Written by Jonathan Hickman, this is the spine of the whole event. If you read nothing else, read this book. 

This is accompanied by Secret Wars Battleworld - a title akin to the Vs. miniseries during AvX - featuring all the knockdown, drag out fights that are probably just to crazy to feature anywhere else during this event.

The final part of this initial section is an anthology series called Secret Wars Journal where every issue will feature a couple of short stories jumping around and highlighting different, small but significant parts of the Battleworld.

Both Secret Wars Battleworld and Secret Wars Journal feel to me like ones for completists and not essential if your looking to save the pennies for other titles on the list below.

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After that we have an array of titles re-visiting classic storylines and events from Marvel's past including beloved adaptations such as the 1992 X-Men animated series. A lot of existing Marvel titles are ending to make room for these - in fact some are direct continuations or analogues of previous titles now shaped to fit in with Secret Wars. More on those later.

Finally, there's a bunch of Marvel titles that aren't coming to an end, but are instead telling Last Days stories detailing the final adventures of the features characters before the final incursion. These titles include Black Widow, Captain America and the Mighty Avengers, Loki: Agent of Asgard, Magneto, Ms. Marvel, The Punisher and Silver Surfer.

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Confused yet? Well, let's see if a quick look at the full list of titles (revealed so far!) helps a little. Here you go:


Secret Wars: Battleworld

• Age of Ultron vs. Marvel Zombies
• Ghost Racers
• Inhumans Attilan Rising
• Korvac Saga
• Marvel Zombies
• Master of Kung Fu
• Red Skull
• Runaways
• Secret Wars: Battleworld
• Secret Wars Journal
• Star-Lord and Kitty Pryde
• Thors
• Ultimate End

Secret Wars: Warzones

• 1602: Witch Hunter Angela
• 1872
• A-Force
• The Age of Apocalypse
• Armor Wars
• The Amazing Spider-Man: Renew Your Vows
• Captain Britain and the Mighty Defenders
• Captain Marvel and the Carol Corps
• Civil War
• Deadpool's Secret Secret Wars
• E Is for Extinction
• Future Imperfect
• Giant-Size Little Marvel: AvX
• Guardians of Knowhere
• Hail Hydra
• House of M
• Inferno
• Infinity Gauntlet
• M.O.D.O.K. Assassin
• Mrs. Deadpool and the Howling Commandos
• Old Man Logan
• Planet Hulk
• Secret Wars 2099
• Siege
• Spider-Island
• Spider-Verse
• Squadron Sinister
• Weirdworld
• Where Monsters Dwell
• X-Men '92
• X-Tinction Agenda
• Years of Future Past

Secret Wars: Last Days

• Black Widow
• Captain America and the Mighty Avengers
• Loki: Agent of Asgard
• Magneto
• Ms. Marvel
• The Punisher
• Silver Surfer

For more details on each group of titles, click on the header to take you to the marvel.com explanations!

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In the hopes of making life easier for everyone, we've taking the liberty of creating a matrix - a list of everything that was coming out, followed by a list of the Secret Wars comics we'd recommend you get as a replacement. I've taken the liberty of automatically signing our Reservation Service customers up for our recommended titles, but these can be removed without our usual notice period up to the point of release. I've been trying to take the time to talk to you all about these new titles when you pop in, but if I don't see you before Secret Wars kicks off, please do email me for a pdf copy of your current pull list and then we can make alterations where required.

I hope that all makes sense!

Here's a look at that matrix (apologies for the jpeg):

If there's anything else I can do to help with Secret Wars, please do get in touch. I'm really excited for this event, I think it's going to be a whirlwind tour through some of Marvel's greatest moments before leading into the new status quo for the House Of Ideas. I hope you'll join us!

Ben Fardon was very, very happy with Daredevil on Netflix. Roll on AKA Jessica Jones.

New Beginnings - Princess Leia #1

by Matt Puddy

Further celebrating the reacquisition of the Star Wars license by Marvel, their next offering is the first issue of a miniseries centred around Princess Leia.

The series is written by Mark Waid who seems to have written a bit of everything in his illustrious career so far with the exception of Star Wars, meaning that it is also a new beginning of sorts for him as well.

As with the other titles that Marvel have brought to the shelves for Star Wars, Princess Leia fits into the wider plan to create a new continuity after Episode IV A New Hope. However, what we also get to see is a slightly different perspective on things. Commencing immediately from the ceremony at the end of the film, Leia is still addressing the Rebel pilot and troops in the ruins on Yavin 4, but not all is going across well. Her strong feelings of duty mean that she doesn’t always come across as caring as could be, and thus she has already earned herself the nickname of the Ice Princess.

This creates a rift between her and almost everyone around her. The Empire are tracking the rebels down as they speak and a mass evacuation is required.

From a reader's perspective there is a great bit of levity added when you see Admiral Akbar becoming more and more frustrated with proceedings not being as quick or as smooth as he'd like. This scene definitely featured the funniest line in this first issue for me, as he shouts at a human for only looking at one thing at a time.

At a loss of what she can do – now that there is a 10 million credit bounty on her head – she begins to get frustrated. Avenues are closed to her by one of the heads of the Rebellion, as she is such a high priority target now. But that won’t stop her. Before she goes stir crazy on the base she finds a way to get out, and she embarks on a self imposed quest to find the remaining surviving Alderaanians.

Partnering Waid on this is Terry Dodson, an artist with an almost as impressively long list of accolades to his work. His style is probably best described as soft edges, with easily identifiable characters presented in a very pleasing way. There aren’t harsh lines and this makes it a nice easy read with as your eyes effortlessly dart across the pages.

This is supported further by a very simple and sombre colouring by Terry’s wife Rachel Dodson. It’s not all muted though, and things like the bright orange jumpsuits and the occasional flashes of red make the frames pop without being too over-the-top. It all blends together very well.

As an issue there is a strange feeling of Leia being a Rebel without a cause or at worst a slightly petulant princess not allowed out. There’s also the odd non-friendship towards the end which cuddles a touch of animosity up to smiles and admiration, adding an odd couple dynamic to the mix.

For me this made for a slightly lacklustre issue. However, this is also dictated by the way that there wasn’t a giant amount of action. If you’re a fan of it there was a lot of politically driven talk, and we got to see a lot of people with it getting a little sneaky towards the end which certainly picked it up for me as well. Setting the scene in one issue is always hard, but the greater universe has been opened up for our gallant princess.

Matt Puddy notes that Ben felt this was an issue full of great character development, but to each their own!

New Beginnings - Spider-Gwen #1

by Matt Puddy

If you’re looking for positive affirmation that the chaps and chapesses at Marvel take notice of their fans then look no further than Spider-Gwen. Born from the love of a character design that became a prominent part of Spider-Verse, this is Gwen Stacey reborn.

As a character, Gwen has had an impressive development and evolution. In her early days it would be fair to say that she fell well into the realms of a generic female character there to support or drive the main male protagonist and that her death was ultimately the equivalent of Kyle Rayner finding his girlfriend dead and stuffed into his fridge, thus providing the impetus to strive to be a better Spider-Man for one Peter Parker. Over the years that has somewhat changed with her taking more of an active role culminating in her position now.

In true Spidey fashion though this isn’t straight forward, and although there are no clones or time travelling involved this Gwen is from another world – Earth 65 to be precise – with the salient difference being that she was the one bitten by the spider in this reality whilst Peter pushed himself and took Dr Connors’ role in becoming the Lizard. Also in the true vein of all things Spidey it was that “death” of Parker that has Spider-Gwen vilified in the eyes of the public by none other than (yup you’ve guessed it) J Jonah Jameson.

As a quick side note other version of notable Marvel characters do make a quick cameo, such as Officer Ben Grimm and Detective Frank Castle, but for the whole most of the normal portrayals are on point aside for a little artistic license.

Jason Latour’s story opens with a bit of a recap and retcon on her backstory, as well as a slight nudge in the right direction for those who didn’t read her main story in Spider-Verse. In a bold move she unmasked herself to her father thus changing the dynamic in a way that “our” Peter never did.

Shifting straight into the story we find that the Vulture is stalking the city and you know that Gwen is going to be dragged into it all at some point. Admittedly there is also some Parker-esque personal troubles too, such as her career with the Mary-Janes, the egotistically-named all-girl band in which Gwen was once their drummer, as well as discovering that someone out there had put a hit on her father.

We all know where this is going; there’s going to be a showdown which is only hastened by the police posting the Vulture's address for all to see. Gwen tries to track him down but instead gets found herself culminating in a fight between the two as another age old question rears its head and turns into a cliffhanger. Can spiders fly?

Robbi Rodriguez is the artist for this new series and it’s fair to say he certainly has his own style. Spider-Gwen herself is very lithe and feminine, much like all the other female characters. The male depictions felt a little overemphasised though. Frank Castle has a strong male frame with wide shoulders and big chest, for example, but also a bit of a small face. It makes for an interesting mix as I found myself loving some of it but not all of it.

Fans will no doubt flock to get this issue, whether they are the newly minted Gwen fans or if they are Spidey fans who have continued on from the Verse. I enjoyed it but wasn’t as wowed as I would have liked to be. Still a great start to a title that is likely to go far.

Matt Puddy is just getting warmed up...

Big Game Hunting Live - three tournaments, one weekend!

by Ben Fardon

This weekend sees Proud Lion play host to not one, not two, but three different organised play/tournament events, and we have tickets still available for all of them!

On Saturday 28th February from 1:30-5pm we're hosting our second Marvel Dice Masters tournament! This one's a Rainbow Draft where your ticket price includes 12 Uncanny X-Men Dice Masters boosters packs (RRP £12.00), and you and your fellow players will open, select, pass and assemble your team from the cards and dice you open on the day. A great level playing field for both new and experienced Dice Masters players.

Each player will receive a Magneto card as a Participation Prize, with further prizes for the winners. Tickets cost £12.50 each.

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Thirty minutes and one quick rearrange of the store later and we'll be rolling up our sleeves for our latest Star Trek Attack Wing OP and our first Open Format STAW event. This OP runs on Saturday 28th February from 5:30-11:30pm.

The Open Format means ANYTHING GOES (provided it fits within the scenario build cost). We're even expecting to see a few of these monstrosities make it to the table!

This is a constructed tournament and each player will receive a blind booster (RRP £12.00), along with the Advanced Targeting Systems Resource Card, plus further prizes for the winners. Tickets cost £15.00 each.

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Then on Sunday we round out our big weekend of gaming with our first Netrunner LCG Draft Touurnament, Cyber War! Running on Sunday 1st March from 11am-8pm, this sees players drawing cards from three special Cyber War products produced by Fantasy Flight Games to allow players a break from the usual constructed LCG play, again creating a level playing field for new and experienced players alike.

Each player will receive one Draft Starter Pack (11 cards and 2 IDs provides a fixed core of essential cards for both Corp and Runner), one Corp Draft Pack (a selection of 40 randomized Corp cards) and one Runner Draft Pack (a selection of 40 randomized Runner cards). The cost of these items are included in the ticket price.

The overall winning player will receive £25 worth of Proud Lion vouchers, enough to cover the cost of the next two Netrunner Data Packs (and still have change for a comic book!). There will be additional prizes of £10 worth of Proud Lion vouchers for runners up, TBC. Tickets cost £20.00 each.

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We do our best to make these events fun and lighthearted; we want to enjoy running them and support the local gaming community in lots of different ways, with Organised Play being a key part of that.

I hope to see some of you this weekend and good luck to all of our players!

Ben Fardon is itching to throw down with a D&D Attack Wing 3BG build, but there just isn't enough hours in the day right now!

PREVIEWS FEB15 - selected highlights

by Ben Fardon

We only have time for a quick run through the rest of February's Previews this month, the real push now is to get every Reservation Service customer to complete the Convergence order form - if you haven't looked at this yet, please do so now!

All done? Brilliant! Welcome back. So without further ado, let's press on with the rest of the highlights for the latest Previews. As before please email any orders to shop@proudlion.co.uk. Please note that all release dates below are subject to change.

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The hottest stuff these days seems to come from Image Comics, so let's have a look at their latest offerings:

Savior #1 comes from Todd McFarlane with beautiful digital art from the incredibly talented Clayton Crain: What if the MOST DANGEROUS man on Earth was also the one trying to do the MOST GOOD? The world is real. The people are normal. And then he appears! A man appears with no background, no memory, and no place to call home. But he has powers. Powers that seem resemble those we learned about in Sunday School. Could it be?! Is it possible that this man is much, much more than that? Is it possible that he is our 'SAVIOR' in the flesh? And if he is, then why doesn't he know who he is or how he got his powers? Strip away the spandex and trappings of the traditional comic superhero and ask yourself a simple question: 'How would I react if GOD suddenly appeared in front of me, but everything we had been taught about him seems out of whack?' What you would have left, beyond your own doubts, is the presence of a man who has to deal with the fact that his appearance in the world is seen as both a blessing and a curse. Some will see him as a hero, a messiah. Other will see him as an enemy because there isn't room for a person with god-like powers to disrupt the status quo of what we already believe. Some will rally behind him. Others will denounce him. But none of us will be able to ignore him.

Savior #1 comes out on Wednesday 1st April.

Image Comic produce superb science fiction and this month is now exception, kicking off with Pisces #1. If you love Rat Queens, you'll be delighted to hear this is writer Kurtis J. Wiebe's next project: Former fighter pilot Dillon Carpenter found everything he wanted when he returned from the Vietnam War. A loving partner; a dream career training with NASA to travel through space; and soon, he will learn, a prime candidacy for a secret mission, one that will forever change the world: First Contact. But as Dillon prepares, his war trauma returns and he's haunted by dark visions of his future. There is but one constant; the voice whispering from the stars. A sci-fi psychological body horror series from the writer of RAT QUEENS and the artist of SHELTERED. 

Pisces #1 comes out on Wednesday 29th April.

The other science fiction offering of note from Image this month is Kaptara #1. Written by Chip Zdarsky  fresh from his successes with Sex Criminals and the relaunch of Howard The Duck, with art from Kagan McLeod, here's the bizarre little pitch: A space expedition goes horribly wrong because if it didn't there would be no story! Reluctant explorer Keith Kanga and his crew crash land on KAPTARA, a world filled with danger and weird danger and dangerous weirdos! And if he can't survive then earth, the place where YOU live, is doomed! Join CHIP ZDARSKY (Sex Criminals the Duck) and KAGAN McLEOD (Infinite Kung Fu) as they put the 'fi' back into 'sci-fi' and pretty much disregard the 'sci' part in this epic story of punching and love!

Kaptara #1 also comes out on Wednesday 29th April.

All this and Millar and Quitely return with the next chapter of the story they started with Jupiter's Legacy, albeit a prequel in the form of Jupiter's Circle #1: The most celebrated superheroes in mid-century America seem to have it all-fame, riches, adoration-but tensions simmer beneath the glossy surface, threatening to crack open the secrets behind their public AND private exploits. Before the family dynasty in JUPITER'S LEGACY began, there was JUPITER'S CIRCLE  - a story about a team whose personal dramas collide with super-powered spectacle!

Jupiter's Circle #1 also comes out on Wednesday 8th April.

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There's naturally a lot of buzz surrounding Marvel's summer event Secret Wars. The end of the Marvel and Ultimate Universes, many fear this will be a reboot akin to the New 52. We suspect it'll be more of a merger, with Marvel editors stressing they aren't ashamed of 75 years of continuity, but time will tell.

The first proper salvo of this game changing event is Secret Wars #1, though don't forget we'll get a special preview issue as part of Free Comic Book Day!

Secret Wars #1 comes out on Wednesday 6th May.

And that's your lot for this month. Please send any orders back by 11:59pm on Tuesday 24th February to shop@proudlion.co.uk. Many thanks!

Ben Fardon welcomes any feedback on these new Previews highlights articles.

New Beginnings - Darth Vader #1

by Matt Puddy

As part of the new Star Wars revival under the Marvel, we have a new beginning for none other than the galaxy’s best known bad dad, Darth Vader.

Kieron Gillen helms this new title in exploring a slightly different side of the Emperor’s apprentice. Opening after the events of Star Wars, the galaxy is akin to the Wild West. There is no threat from the Death Star after its destruction. so order is in short supply. The Empire’s grip has slipped and something has to be done to rectify this.

Dispatched to Jabba’s palace, Vader makes a strong entrance by "only" killing two guards as he so graciously puts it, whilst on his way to meet the infamous Hutt. The biggest shock is that Vader is speaking to Jabba a day early and regarding on a personal issue to boot. When simply asking fails, and the assembled entourage comes back into the room, he dispatches the threats quickly and enforces his will upon Jabba in true Sith fashion. With “negotiations” over, he returns the following day in the proper formal capacity, but as a reader you won’t find out why until later.

The story reverts back a day to when he was receiving the scorn of the Emperor. The loss of the Death Star was a huge blow and seen ultimately as Vader’s failure. He is warned not to disappoint again, but is this something he can live up to. 

Back on Tatooine we learn what Vader was trying to get Jabba to provide - bounty hunters of the highest order - but there is a twist. Whilst one, the fan-favourite Boba Fett, is aimed directly at finding Luke Skywalker, the other has a slightly darker task. Not wanting to be kept in the dark on certain secrets Vader dents him to find another agent of the Emperor, so that the former Anakin Skywalker can have a discussion with him...

It’s hard for me to not like the artwork in the issue as it’s provided by one of my favourite artists, Salvador Larocca. What I have also liked is that on this occasion the pairing of him with Edgar Delgado on colours has made for some very bold and vibrant images within the issue, which is quite impressive when the lead character is glad head-to-toe in black garb! 

As always the linework is fine and precise meaning that the detail is in huge supply. The new Wookie bounty hunter is an interesting character to meet as a result. Overall it makes for a really good visual presentation to the reader.

Whilst the artwork was strong my overall feeling for the comic was not as much. Although I understand the course of the story and how the plot develops, the titular character feels somewhat clipped or cowed, aside from a few shows of force. There is a certain level of malice that precedes Lord Vader and I just didn’t feel it.

As a first issue it certainly showed a different side that many will not seen of Vader. The subservience came through more than had seen before (aside from the infamous Robot Chicken sketch), but there was also a faint glimmer of the rebellious nature that leads ultimately to the Emperor’s downfall. 

Will it be a strong comic? Well it certainly won’t be weak given the creative team, but I’m hoping future issues hit with a bit more of the dark side of the force.

Matt Puddy is keen to see what Neill Blomkamp does with an Alien movie!

New Beginnings - Return of the Living Deadpool #1

by Matt Puddy

Some time ago you may remember that last year I reviewed Night of the Living Deadpool by Cullen Bunn. Now in true Romero-esque fashion we have the follow up - Return of the Living Deadpool.

For those who didn’t read NotLD, the very quick and basic premise was that over the course of four issues Wade Wilson found out that everywhere had been infected and people were turning into brain hungry zombies. Fighting his way through them all and trying to help people could only go so far, until he found there was a cure. The way to administer the cure though was to infect himself and then allow the surrounding zombies to rip him to shreds and eat him thus saving the world in his own bizarre way.

So where can Bunn and Virella go with this then? Considering how things were left I have to admit that even I wondered, so reading this first issue was with some trepidation.

Carrying on the artistic theme of having a greyscale story with the only colour being Deadpool, the story opens with a young woman called Liz scavenging. A few years have passed since the original outbreak so lore and stories have spread, both good and bad. So when Liz comes across a ‘pool her reaction is not the expected. She tries to decapitate him and is equally shocked when the amnesiac ‘pool doesn’t try to kill her and surrenders. Dressed in nothing more than his trademark red along with his inane and random commentary on the world the pair head off to safety from the night's visitors.

All is still not what it seems though. Along the way elements of Deadpool’s memory are slowly coming back along with his deadly skill and penchant for quips and violence towards zombies amongst other things. This is cut short when they run across a new band of people. A very familiar group as well. They’re all Deadpool variants! The main difference being they don’t seem to have the humour but very definitely have the blood lust. For the problem isn’t really the zombies any more. The real problem is far worse. The “cure” did stem the zombie problem but at the same time created, introduced and wreaked havoc in the form of the Deadpool plague and the newer deadlier living hell.

As I said before the artwork follows the same path as NotLD and the same colour palette, which makes the Merc with a Mouth really stand out at centre stage. The now typical colouring of his speech bubbles adds further familiarity to it all. The characterisation is also a return to the more split-personality that readers previously knew, so all in all this version of Deadpool is well outside the current Marvel Universe.

Aside from that there isn’t really much more I can say without going over how I reviewed NotLD, as it’s very much just more of the same. If you liked that arc you’ll probably like this one too!

Bunn has created an interesting new problem tale out of what was initially a fun four part tale to begin with. Seeing how he wrapped up the first arc, it’ll be fun to see how he’s going to solve this situation especially as the previous cure only made things worse...

Deadpool fans will love this; even zombie fans will get a kick out of it too. All in all a fun little comic, but nothing revolutionary after last year's offering. Very much more of the same. Which is no bad thing in this instance.

Matt Puddy is waiting for the inevitable Fifty Shades Of Deadpool miniseries...

New Beginnings - Star Wars #1 (Marvel)

by Matt Puddy

Iconic opening lines to one of the most well known science fiction films in history. Also the line emblazoned on the first page of this week’s new beginning.

In fact you could also see this comic as a homecoming as this is a brand new Star Wars comic back once again with Marvel. From 1977 to 1987, Marvel produced a 107 issue comic series which loosely followed the original films. During this time it was rumoured to have had such strong sales that it kept Marvel financially afloat. A few years later Dark Horse gained the license and took a more creative approach opening up much richer back stories to main characters as well as introducing new arcs, side characters and areas of the Star Wars universe. Now, with the Star Wars and Marvel brands both part of the Disney family, the circle is now complete and Jason Aaron takes the helm to pen new tales from the galaxy.

From the outset you know exactly where you stand with the cover depicting all of the well loved characters - well the good guys that is anyway (on the cover designed by John Cassaday). The comic then opens with as close to the cinematic experience as the printed medium can. The huge Star Wars sign followed by the implied scrolling prologue breaks you in nicely. Set after the Death Star has been destroyed, the Rebels are moving onto new targets in an attempt to beat the Empire.

The setting is Cymoon 1 the largest munitions factory supporting the Empire’s war effort, and the loveable rogue Han Solo is the man with the plan. Infiltrating the site under the banner of Jabba the Hutt, all seems to be going well and the destruction of the base looks imminent, but where is the fun if it was that simple!? Things start to go wrong when it transpire they Empire uses slaves there and Luke’s instincts draw him away, only to be followed up with catastrophic news. The negotiator has arrived and it’s none other than Darth Vader himself. A botched assassination attempt, the Millennium Falcon being slowly dismantled and ultimately a showdown between Vader and Luke. It’s a whole film is just a few pages complete with a huge cliffhanger.

As mentioned previously John Cassaday is the artist for the issue and it’s great. So great in fact that Mark Hamill, Carrie Fisher and Harrison Ford owe him a lot for turning back the clock and giving the readers such fresh faced and youthful depictions of them all. If anything this helps support the comic's place in the chronological order of Star Wars even further, as it dates it all so well. Strangely though one of my favourite panels was when the team discover the hold of AT-AT’s. Aside from the cheeky demeanour from Solo, Cassady also lovingly renders the vehicles and tech as well as he depicts any of the original cast! Classic images given to the reader with strong fine line work – what isn’t to like about this?

Without being a massive Star Wars fan, even I can’t find much fault with this issue. It’s well drawn and well written. The combination sweeps it along at a great pace and is a lot of fun. You constantly find yourself hearing the tonal inflections, the attitude and most of all the well known voices from the films.

It’s a cracking first issue that any reader, fan or otherwise, will enjoy.

Matt Puddy is not the droid you're looking for. Move along.

New Beginnings - S.H.I.E.L.D. #1

by Matt Puddy

When the words "Inspired by the Hit TV Series!" are emblazoned across a product, it can simultaneously spread joy and fear in the hearts of fans. Which is why I approached this week’s review with a little bit of trepidation, but also a touch of interest as well. The other thing that I noticed is that Marvel have put a fairly heavyweight team on the project too with Mark Waid writing and Carlos Pacheco providing the pencils.

The comic starts off with a little bit of a history lesson. Starting out when he was just nine years old, we learn that Coulson’s interest in superheroes has been a defining characteristic throughout his life. Back even then he was making notes on the various heroes that were around. This then carried on through his college years and into his S.H.I.E.L.D. training, until he became a strong agent in the field. Finally, when promoted to Officer, we get to see him truly in action. His analytical prowess and tactical skills immediately shine through in this first issue, as he is tested in a battle that erupts on multiple fronts with various enemies. Wanting someone to multitask in this situation is a big ask but Coulson pulls it off.

Coulson - in his own words - is good when it comes to mixing and matching skills. After all he has been studying all of the mutants, robots, gods and heroes since he was born! Whether it is the Fire Demon, the Storm Giant, the new tyrant Abu Mussan or even the mighty Heimdal, Phil has got a handle on it.

Along the way we are briefly introduced to Agents May, Fitz and Simmons (jumping from the TV show into the original comic universe) who have a small input into the story but cement themselves within cannon. Whilst their presence is noted, it is fairly overshadowed by the plethora of superheroes who also flood the pages having to deal with the various threats. What it does really show is that tactically Coulson it a genius! Moving various players and heavy hitters around, this is one huge game of chess that simply left people like Mussan outclassed before they even realised it.

From a story point of view it is packed and quick moving. Even though there are some fan favourites like Iron Man thrown in the mix - along with some cute nods to other older heroes like the original Human Torch - the tale doesn’t feel like it is about anyone other than Coulson.

One thing that felt a little awkward was the timeline and also some of the depictions. Without knowing how old Coulson is (and he is somewhat dated by the TV show this is based on), the timeline feels a little off as we see Superior Iron Man (current) alongside the Hulk (currently Doc Green) and other heroes who should be older than they are due to the continuity, but then comic time has always been elastic and fluid to suit the narrative.

Visually I think a great job has been done. Translating characters from a show to a comic can either be representations or ideas of the original actors, but in this case they have gone for quite accurate depictions so that when you see Fitz, you know it’s Fitz, and everyone knows who Coulson is too. The extra little files at the back of the issue (courtesy of Joe Quesada for one) are also furthering this.

Throughout the comic Pacheco’s work is fantastic as well. It’s clean and fine with tonnes of detail in it to keep the attractive to the reader throughout.

As a first issue it was more character building and informative rather than arc building but it certainly has promise. It’s also a good preamble for those who like the TV series and wanted to see the team they know and love become legitimate parts of the larger Marvel Universe.

Matt Puddy is back baby! (And it's totally Ben's fault he's been gone over Christmas, sorry folks...) 

New Beginnings - Avengers And X-Men: Axis #1

by Matt Puddy

This week we have a new main arc from Rick Remender and Marvel – Axis – and aside from the ambigram of a title on the cover it’s a fairly hefty comic for a first issue. This is partially due to all that’s packed into it but also all the history that it pulls on as well.

As stories go this is one that you where you have to pay attention to keep up. First of all this issue alone has a massive cast combining X-Men, Avengers, the Avengers Unity team from Uncanny Avengers, and then a few extra people to boot. It also helps to be aware of current and impending events in the Marvel Universe. Wolverine is no longer in ANY team and the Captain America baton has been passed onto Falcon. Even the Hulk is now known as Doc Green (currently waging war on all gamma-powered individuals) seems to be subdued and part of the gang. 

Remender has also built from a wealth of Marvel stories from the archives. The original Onslaught saga is a huge reference given that Red Skull is now dubbed Red Onslaught, after firstly receiving Xaviers’ brain (and subsequently his psychic powers) and then being killed by Magneto. Which is also the main crux of the plot. 

In his more human form, the newly awakened clone of Red Skull was always driven by the same motivation to create a new Nazi-styled utopia with the Übermensch taking wait he saw as its rightful place at the top. I’m sure you can imagine that given the immense psychic prowess of both Xavier and Onslaught, it's going to prove quite a large problem and one that will bring all of mutantkind together to stop the threat trying to wipe them out.

All of this was sparked into action by the most powerful psychic outburst that any of them had seen, creating outbreaks of violent acts all over the world. The hate and anger simply pouring off Red Onslaught in waves prompts action from Steve Rogers, directing his team of heroes into action from his afar, now too frail to enter the field.

Red Onslaught is huge, imposing and deadly. Reacting quickly the Scarlet Witch is influenced and taken to his side as a vessel, which doesn’t help things (although it is a convenient loophole to remove the main threat from the fight for him), and so the battle begins. The introduction of the X-Men as well rounds the group off well, only to find that their troubles have only just begun. On top of gaining access to powers beyond his station, Red Skull also gained information. Information that Tony Stark held on them all in case he needed it, and now the Skull then weaponised it (very similar to another millionaire playboy from DC), leading them to face the most powerful and developed Sentinels the world has ever seen.

The story that Remender has written is fairly straight forward, but for all its length I kind of found it a little irksome. As well as taking stories and ideas to build on from the past, it seems that a certain style has also been lifted. The whole comic kind of felt that it was a flowing piece from one fight into another to a sub-fight past in-fighting and via petty, poignant or brotherly conflicts. There’s a lot of fighting in there and not a whole lot of character development.

Page taken from Axis #2

Artistically, to support the battlefield, you have Adam Kubert who is well known in comic book circles like his siblings and father. He has put a huge amount of work into this comic to live up to the energy level of the story. With so much going on and so many characters to maintain this can’t have been an easy task. A lot of referencing has to have been done too; whether it is the new Cap or the Mjolnir-less Thor, keeping a great sense of continuity across a universe of characters - so hats off to him!

The style results in being full of work, images and ideas, but that does mean on occasion detail does have to give way; that is kind of understandable. There is also a good use of dynamic frames, away from the more conventional layout system, which keeps your eyes working throughout without necessarily being overwhelmed by all the information.

Put all together and this shows some real promise, but I think it does need to calm itself down a little and not simply be a continuous running battle. Equally the rare moments of Walton-esque family gathering and heart strings being tugged need to have some tempering as well, but the premise is still a good one and kind of keeping in line with all the teasers of Marvel reviving a lot of past storylines in 2015 (for example Civil War and House of M) making this is a front runner for further madness.

Matt Puddy doesn't quite get the whole American obsession with Halloween stuff.

New Beginnings - Thor #1

by Matt Puddy

It’s certainly fair to say that when Marvel announced its recent changes to its established line up some eyebrows were raised. Aside from the news that the newest Captain America was going to be black there was also the gender flip in the identity of Thor. Across the internet many fans of the Nordic god expressed various opinions on this revelation and now in issue one of Jason Aaron’s new comic we get to finally see what is really going on.

If you are wondering “Has Thor died?” (again) or simply “What happened to Thor to make this change?” then fret not it isn’t what you might think. If you read the recent story of Original Sin (also written by Jason Aaron) then you would be aware that at the end of the eight part series, the band of heroes - including Thor - faced off against an aging Nick Fury. As part of this fracas Thor was essentially disabled when Fury whispered a few select (and currently unknown) words to him. Whatever he said had such a huge impact that Thor dropped Mjolnir and as such as not yet been able to pick up the fabled hammer. He is now unworthy.

This isn’t where the comic begins though. It’s the misadventures of those pesky beings from Midgard that opens the tale. Searching deep underwater we meet a team searching the black depths of the ocean. Instead of underwater treasures, they are stumbled upon by massive Frost Giants emerging from an oceanic trench, being somewhat lead by Malkieth the Accursed, a combination that is terrifying at the best of times.

It’s not hard to consider how that particular situation is going to go so I’m not going to spoil it for anyone who enjoys a bit of wanton destruction.

All the while the Asgardian citizens are being divided emotionally. On one hand their All Father has returned from self-imposed exile giving reason to be happy. But this is to the detriment of their All Mother who has been faithfully watching over them and guiding them. There is a growing schism between the Asgardians as allegiances are divided. To add to this they also worry for and watch over Thor who is now a broken man. Unable to comprehend why he cannot lift Mjolnir anymore, he is a shell of a man. Not eating, not sleeping and only really talking on occasion to his hammer, imploring it to allow him to lift it.

It may not be Thor that is the issue though as no one can life Mjolnir from its resting place, not even Odin himself. On the news of the invasion of Midgard by Jotunheim, the decision to step in is made and a hammerless Thor steps into the fray to much poorer results than required. Gleefully unaware of other events Malkieth seems to be happy that the end of Thor is nigh. He has no clue that meanwhile on the Moon a woman has just easily raised Mjolnir because there must always be a Thor...

As a first issue this is more about situational presence than blasting the reader with a new Thor. By waiting until the end there is a certain tension and mystery built. It also builds an idea that you may know who the new maiden is but also you’re not quite sure. You feel the new inadequacy of Thor as he rides into battle; also the happiness and mocking in Malkieth when he see the weakness that has been exposed. All of this goes a long way to change the concept of who or what Thor really is. As someone who is not really a fan of Thor on his own, my thoughts are fairly one dimensional. Thor is a god. He has a mythical hammer. He does hero stuff. 

Sounds simply, right? But this comic has challenged me to rethink that. Thor is an identity and an ideal, a reference of power almost. It’s about the worthiness and intentions, not just the man – or now woman. A fairly heavy shift for a first issue comic!

Artistically Russell Dauterman has provided a sturdy issue. I liked the huge double page spread to reflect the enormity of the Ice Giants, but when taking time over smaller beings there was a lot of work put into supporting Aaron’s story. Thor looks broke and damaged, Freya and Odin are both full of pride, power and in their own ways care and concern for their son. This is quite possibly one of the most emotive pieces of artwork I’ve read in quite a while. There’s also a good use of implied imagery  which leaves you as the reader conjuring up even more visual ideas so kudos for that.

As I said I’m not a fan necessarily of Thor as a character, however that said this was still an issue strong enough to grab my interest. New readers will certainly enjoy it and fans will no doubt discuss the identity and what will happen for a while too.

Matt Puddy avoided all the usual MC Hammer jokes.

Marvel Comics celebrates 75th anniversary at The Times and The Sunday Times Cheltenham Literature Festival 2014

Promotional Article

The Times and The Sunday Times Cheltenham Literature Festival attracts hundreds of the world’s leading authors, journalists, comedians, politicians, actors, broadcasters and more.

Joining this year’s Festival for a great celebration of the 75th anniversary of Marvel comics, X-Men and Fantastic Four writer Mike Carey (The Girl with All the Gifts), former Marvel editor Alan Cowsill (Marvel Comics: 75 Years of Cover Art) and The Hulk writer Monty Nero (Death Sentence) will discuss how Marvel irrevocably changed the face of graphic fiction when the first Timely Comic (Marvel's predecessor) hit the newsstands in 1939. With an examination of the iconic brand’s enduring success and influence, this will be a fascinating evening for Marvel fans both old and new.

In 1939, the first Marvel Comic hit the newsstands, irrevocably changing the face of graphic fiction. Fantastic Four and X-Men writer Mike Carey (The Girl with All the Gifts), former Marvel editor Alan Cowsill (Marvel Comics: 75 Years of Cover Art) and The Hulk writer Monty Nero (Death Sentence) discuss the iconic brand’s enduring success and influence.

MARVEL: 75 YEARS

SUN 5 OCT 2014 8:00PM - 9:00PM
THE STUDIO, IMPERIAL SQUARE

£10 - MEMBERS 10% OFF

Tickets are already on sale to Festival Members.

Tickets go on sale to the public from midday, Monday 1 September.

The Watcher - Guardians of the Galaxy

by Stefan Harkins

A lot of people were concerned about Marvel’s next venture, a talking racoon and a tree... in space? Well not me! Ever since the first trailer blasted Blue Swede’s Hooked on a Feeling, I’ve been psyched!

The movie starts in 1988 with a young Peter Quill helplessly watching as his dying mother passes away. Doing what any child would do at this point he runs away, and in the midst of his grief he’s abducted by a massive spaceship!

We then jump forward 26 years and the now adult Quill (Chris Pratt) has settled into his space life, calling himself Star-Lord. He explores the galaxy, stealing and selling anything he can get his hands on. On a desolate planet while exploring a forgotten tomb, he pulls out an Eighties Walkman including foam headphones and pops in his ‘Awesome Mix Vol.1’ cassette tape. All of a sudden we’re filled with nostalgia as pop power ballads fill the air (it makes an awesome soundtrack!) and Quill dances his way around in order to find a shiny orb to steal. I feel this scene sets the tone of the movie, have fun while you're here and enjoy the ride!

Everyone seems to be after Quill, the orb or both and thats how the rest of our protagonists meet and end up in jail. This isn’t the type of movie which spends half its time explaining itself, and thats a good thing. There’s no unnecessary backstory, but each character gets a moment to define themselves. It's in prison that the group really get to know each other and so do we. 

Chris Pratt is perfect as Star-Lord; arrogant, cocky and libido driven but at the same time the heart of the story. Gamora (Zoe Saldana), the adopted daughter of arch-villain Thanos (Josh Brolin), kicks ass beautifully and balances wonderfully against the buffoonery of Quill. Now Drax the Destroyer (wrestler Dave Bautista) was a bit of a surprise - vengeful and determined, but with dry wit and a deadpan delivery that gave a lot of his lines some huge laughs. 

Fans are going to fall in love with the two CGI characters, Rocket (voiced by Bradley Cooper) and Groot (voiced by Vin Diesel). One's a wisecracking, massive gun-toting, cybernetically-enhanced raccoon and the other a sentient tree-being who's vocabulary is limited to ‘I am Groot’. They share a unique bond, in part because Rocket seems to be the only one who can understand Groot. The detail in the CGI expression is impressive and really sells their emotions. Some may think the casting of these two is a stunt to help sell the movie, but I found that you never hear the ‘celebrity’ voices instead just the characters. A lot of laughs, with Groot particularly providing the warm and sweet ‘Hulk’ of this movie with some great moments.

It turns out there is more to the orb of course, it’s the McGuffin of the film - even Quill refers to it as having a “Ark of the Covenant, Maltese Falcon kind of vibe.” Of course inside it is another Infinity Gem, which means darker forces have their evil eyes on it. Thanos to be precise, who sends Lee Pace’s menacing Ronan the Accuser to get it along with Korath (Djimon Hounsou) and his other daughter Nebula (Karen Gillan), who has a ruthless rivalry and jealous relationship with Gamora to say the least. 

What with his cameo in Thor The Dark World stinger, I was a little concerned with Benicio Del Toro as The Collector being overly camp and out of place, but thats not the case here. He has some good exposition about the Infinity Gems and their beginnings which we’ve not had up until now.

If I had to say something negative about Guardians of the Galaxy and the Marvel Cinematic Universe as a whole it would be the relatively bland villains - they do have a hard time finding ones that can contend with the Marvel heroes (aside from Loki)! For me however, it’s all about the unlikely group of heroes who are more compelling and the real focus of the movie. There are however some standout supporting roles which are greatly written; Michael Rooker’s Yondu whose space pirate who took a shine to Quill; John C. Reilly and Peter Serafinowicz as Nova Corps officers; and Glenn Close as Nova Prime (what a hairdo!).

Written and directed by James Gunn along with co-writer Nicole Perlman, they keep things upbeat and fun. Mimicking the witty banter of The Avengers in a sci-fi setting, which almost makes it reminiscent of Firefly. The visuals are staggering and the jokes all hit their marks perfectly. Gunn obviously had a lot of fun creating the soundtrack, which is pretty much Quill’s Awesome Mix Vol.1 brought to life - an Eighties DJ's ‘best of’ dream!

Dismiss any doubts you had this is definitely one of the best Marvel films so far..

Stefan Harkins is doing a Kevin Bacon and indeed hooked on that Marvel feeling!