Five By Five - Comics, week 4: Local

So the boy, in his infinite wisdom, has recently decided that we need to be more organised. For him, our current filing system of sticking paperwork down the side of the computer is lacking a certain level of razor sharp practicality, despite the hours of fun and hilarity when we need to find an important document quickly. And apparently, my adherence to the ‘mental’ shopping list school of thought is not enough to convince him of the inferiority of the paper and pen version.

I’ve been going along with his efficiency drive with a certain degree of reluctance to be honest, being at least a theoretical fan of creative mess, but he knows me well. And he’s found just the tool to drag me over to the administrative dark side.

The hardback graphic novel is a beautiful artefact and a welcome addition to any collection! 

Imagine if you will, a gleaming expanse of white, glistening in the September sunshine like a fresh fall of snow. Affixed to the wall like a window through which you might see pretty much anything, is our brand new whiteboard, complete with pens heady with the tang of planning and schedules and industrial strength solvents.

The thing is, it’s almost impossible to resist the allure of a clean slate. The chance to do things right this time around, mistakes rubbed out, virgin territory to shape after our own perfect visions.

It’s a desire that I can’t help but think Megan McKeenan, anti-heroine of graphic novel Local, might be rather familiar with. The story follows her through twelve years of fresh starts as she flits from city to city trying on identities for herself as often as Kate Moss changes her outfit.

Meet Megan, the perpetual runaway...

Megan is a perpetual runaway. And when the mistakes she makes tangle her current situation too much, she simply bails, ready to start again with a different picture. Each part of her twelve piece story stands in glorious isolation, yet the thread of her own true self ties it all together and anchors the narrative for us. In some pieces, she takes centre stage. In others she is little more than a bit part, peripheral to her own life.

But is it any good?

Well, yes actually.

Megan is an anti-heroine because of her quite startling capacity to fuck things up. She gropes blindly for human connection, sulking like a spurned child in a school playground when her erstwhile room-mate seemingly rejects her overtures of friendship, yet she also goes out of her way to sabotage the relationships that do come her way. Megan lies, bitches and self-obsesses her way through each frame. Yet, and you’re going to have to trust me on this one, she is still somehow likeable.

Trust me, she is still somehow likeable!

Maybe it’s because her mistakes are our mistakes, albeit in microsm. If you’ve ever been uncertain about what you want, treated a lover badly, or let your own problems blind you to other people’s then it’s pretty hard to judge Megan too harshly because she recognizes her shortcomings and keeps trying regardless. One of the most powerful vignettes of the book comes as Megan’s intermittent postcards to her young cousin float voice-over style as we witness his adolescent self-destruction. Her well intentioned advice is rendered meaningless in the face of the harsh realities of life; an uncompromising reminder than you can’t simply phone in love and support.

And as Megan keeps running, she slowly comes to realise that it isn’t just the weather that you take with you everywhere you go. Her problems pursue her, and so ultimately do the people she tries and fails to connect with. Things climax when all of the ghosts from her past catch up with her at once as she finally picks a place in which to stand, fight or fall.

In some pieces, she takes centre stage. In others she is little more than a bit part, peripheral to her own life.

On some levels, Local is a straightforward story about a young woman’s attempts to find her place in the world, but if you like a little more symbolism in your comics you won’t be disappointed. Keys feature heavily; in particular the key that Megan carries around her neck as a reminder of the first home she ever flees and the mother whose dreams she comes to embody. Similarly photographs and other objects of sentimental value occur and recur, the outward detritus of human emotion. In a disturbing segue, Megan strikes up a relationship of sorts with a boy who steals her keys to leave pictures of himself in her apartment, quite literally physically asserting himself within her life.

Visually, Local is stark; gritty even. People matter, with faces in particular vividly drawn though rarely romanticised. The look of it somehow serves to reinforce the feelings of isolation and yearning that Megan experiences. It’s also something that is not quite a love letter to the USA itself… there’s a wary affection for the cities that feature but it’s worth noting that it’s only in rural America that Megan finally finds any kind of peace with herself.

Note the key around her neck, Local is full of symbolism relating to keys...

Ultimately, we all want what Megan wants. To be sure that we are living the life we are supposed to, rather than allowing our mistakes to divert us into boxes that don’t fit. Her wanderings are a metaphorical echo of our own false starts and reinventions. But she has the key to her true home all along. We should all be so lucky.

This week, Kate Townshend is guzzling Pimms while there is still time!

New Beginnings - The Massive #1

New from Dark Horse Comics we have The Massive, a new title brought to us by Brian Wood. Wood is known for a lot of different titles from both indie and mainstream such as Local, Demo, Northlanders, Wolverine & the X-Men: Alpha & Omega, Ultimate Comics X-Men or the Conan the Barbarian. These have been under Marvel, DC (as Vertigo) Image and more, so he is a well known writer throughout the various publishers.

The story straight from the outset poses an interesting question for the reader. In a world that has passed the point of no return as a biosystem and is rapidly failing in its other aspects, what is there for an ecowarrior to fight for?

The first issue of The Massive is one that works as an introduction to the cast and crew, but only in so much that it leaves you with enough to start to understand them but not enough to fully appreciate them. It also works as a bridge between the situation now and how it has come to be that way too by flashing back to the past. Something was most definitely wrong, with strange meteorological phenomena occurring and a growing ecological nightmare pointing to even worse things. It was during this time that the crew of the Kapital lost contact with their sister ship, The Massive, which now remains missing to this day. Captain Callum Israel not only is looking for a ray of light in all the surrounding mess but also for the missing ship.

The read through of the comic itself I actually found quite hard. This isn’t a title that will immediately smack you in the face and be full of adrenaline-fuelled action but it is a grower. There is a distinct feel of realism to it with raiders, pirates and danger that even now you can identify with and this has been very easily one by placing it only marginally in the future. Wood has written a considered piece that slowly draws you in waiting for something bigger, which you know will come.

The presentation of the title is also good. There has been so much time, effort and thought put into how it all looks and it all adds extra depth to it as well. There is a lot of emotion passed through the various looks, glances and expressions to support the story as well. What I have also liked is that the whole feel of the comic has been dictated and aided by the colouring. There is a completely muted feel to it, as if the emotional volume has been turned down on it all in line with the tone of it all. Here we have a boat, with an almost unknown set of attackers in the fog. It feels as if you should be squinting out to help them. There is also an almost The Sixth Sense element to it as well when the accentuation of the colour red is pushed through the pages to highlight importance too. I liked it a lot.

As I said this isn’t the easiest of comics to pick up and read easily, but it does deserve a good look at and maybe reading more than once. If you are a fan of Brian Woods’ work then you will really enjoy it as it is a great example of what he can do.

For a new title to try - and one that will actually make you read it properly too - this is a title to get.

Matt Puddy is getting himself fighting fit.